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Mary-Ellen Kelm defending The Vimy Trap, or, How We Learned to Stop Worrying and Love the Great War.

The Vimy memorial was on TV when Andrea Eidinger’s call for participants in #CHAreads went out on Twitter. Though the First World War is not my field, I have long been interested in how the past gets used to make or break community. So I signed up to participate in #CHAreads and to investigate the merits of The Vimy Trap: or How We Learned to Stop Worrying and Love the Great War by Ian McKay and Jamie Swift – a nominee for the CHA’s Sir John A. Macdonald prize. The Vimy Trap is a book that all Canadian historians, whatever their interests, should read.

The reason is simple. Historians care about history. We care about people in the past and we want to represent their experience faithfully. We care about how history is written and used. What McKay and Swift are arguing is that Vimyism – “a network of ideas and symbols that centre on how Canada’s Great War experience somehow represents the country’s supreme triumph [and]… marked the country’s birth,” has flattened the complex, contradictory and terrifying reality of the First World War into a simplistic, militaristic ‘big bang theory’ of Canadian history.(p. 9)

What is lost in the process is astounding and much of the Vimy Trap explores the horror and ambiguity of modernized warfare and Canadians’ varied reactions to it. McKay and Swift eschew black-and-white portrayals. Canadian soldiers were neither heroes or villains: they used poison gas, killed prisoners and were torn apart by artillery fire while marching with fixed bayonet wearing kilts. They came to view the war and to write about it in ironic, scathing terms. At home, disunity turned to violence as conscription split the nation. The War was hardly a unifying, glorifying force.

McKay and Swift give voice to a spectrum of Canadian reactions to the War. Early enthusiasm waned quickly. From Arthur Meighan to William Lyon Mackenzie King to Walter Allward, the sculptor of the Vimy Memorial, and Charlotte Susan Wood, Canada’s first Silver Cross Mother, all called upon Canadians to remember the War not a righteous cause but as reminder of war’s futility. They grieved their dead and honoured them but not the war that caused their deaths. Canadians dreamed of peace and their leaders sought it too but failed to remake the social order into one that would recoil from war.

A culture of martial nationalism remains. Late twentieth century popular and scholarly histories recognize the contradictions and the complexities but have concluded that, in war, nations are strengthened, dreams realized, heroes made. Historians are responsible for Vimyism. It is a trap because it reflects none of the nuance and little of the stark horror of modern warfare that soldiers and civilians experienced and that contemporary writers expressed. And this is why Canadian historians must read The Vimy Trap. McKay and Swift remind us all that we have not always glorified war and ask us, as historians, to consider our part in honouring, or ignoring, that past.

P.S: Mary-Ellen Kelm will be available to answer questions on Twitter on Tuesday and Wednesday after 4pm EST/1pm PST). Follow her at @kelmme.

 

CHA Reads - Mary-Ellen KelmMary-Ellen Kelm is a professor of history at Simon Fraser University specializing in settler colonial and medical histories of North America. Her first book, Colonizing Bodies: Aboriginal Health and Healing in British Columbia 1900-1950 (UBC Press, 1998) won the Sir John A. Macdonald Prize and the Clio award for British Columbia both awarded by the Canadian Historical Association. In 2007 she received the second place award in the BC Historical Federation’s annual history writing competition for editing The Letters of Margaret Butcher: Missionary-Imperialism on the North Pacific Coast (University of Calgary Press, 2007), which tell the story of the Elizabeth Long Memorial Home, an Indian Residential School in Kitamaat, BC, from the perspective of an English teacher and nurse at the school. Her history, A Wilder West: Rodeo in Western Canada (UBC Press, 2011) is an illustrated examination of rodeo’s small-town roots, and a look at how the sport brought people together across racial and gender divides. She is currently examining the ideas and methods medical researchers brought to the study of Indigenous health in North America from 1910-1990. She is co-editor of the Canadian Historical Review.

 


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