The Unwritten Rules of History

Tag: transnational history (Page 4 of 5)

Canadian History Roundup – Week of September 17, 2017

 

A First Nations woman in a flower dress stands outside in a field near the ocean. She is standing at a wooden table, in the process of hand-canning salmon.

Woman canning salmon outdoors. 1947. National Film Board of Canada. Phototheque / Library and Archives Canada / e010948781. Copyright expired. This photograph was probably taken during the production of the National Film Board of Canada’s documentary “Peoples of the Skeena,” which was filmed in 1947 and released in 1949. The caption of this record has not yet been revised through Project Naming.

The latest in blog posts, news, and podcasts from the world of Canadian history.

 

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CHA Reads: Group Discussion

CHA Reads 2017

 

What is CHA Reads? Find out here!

 

UPDATE: Now includes the conversation that happened on Twitter! Scroll to the end to see.

Welcome to the seventh and final post in CHA Reads 2017! This post features the discussion that took place all week long between the other scholars and myself.  In order to make the discussion easier to follow, questions are in green and names are in bold.

I hope you’ve enjoyed this series as much as we have! We will definitely be doing this again next year. Don’t forget to check us out all day on Twitter, where we will be continuing this discussion using the hashtag #chareads2017. And I’ll see you back here tomorrow for an early roundup!

 

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CHA Reads: Samuel McLean on Colonial Relations: The Douglas-Connolly Family and the Nineteenth-Century Imperial World

CHA Reads Header

What is CHA Reads? Find out here!

 

Samuel McLean defending Colonial Relations: The Douglas-Connolly Family and the Nineteenth-Century Imperial World.

Adele Perry’s Colonial Relations: The Douglas-Connolly Family and the Nineteenth-Century Imperial World is a nuanced and textured consideration of families, relationships, authority, and colonialism, examined through the lens of the family of colonial governor James Douglas and his wife, Amelia Connolly. However, this book is not a biography. Rather, as Perry herself notes, “I utilize available archival evidence about one extended family to anchor an analysis of the nineteenth-century imperial world, to ground and focus these wide, wandering, and sometimes daunting histories.”(p. 5) Based on research conducted at twelve different archives on three different continents, this book is a veritable tour-de-force that blows all of its competition out of the water.

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